#west Hampstead

[thedirectorscuts]

An area, known as "le Rudyng" (indicating a woodland clearing) in the mid-13th century, had by 1534 come to be called West End. It was then a freehold estate belonging to Kilburn Priory, and was so called because it was at the west end of another, larger estate. Although it is possible that there was a dwelling on the estate prior to 1244, an estate house was certainly extant by 1646. West End Lane (named as such by 1644), the main road through the area, is still bent at a right-angle at the north and south ends where it connects to Finchley Road and Edgware Road respectively. This is because the lane used to form the boundary between a number of different estates.

By the early 17th century several houses were present, and by the middle of that century London merchants were building larger houses in the area. By 1800 West End was a hamlet of two to three dozen houses and cottages located in parkland, mostly on the west side of West End Lane and Fortune Green Lane, and north of the present-day railway lines. West End Lane had been rerouted, making it straighter and lying further to the west than previously. In 1851 residents were mainly agricultural labourers, gardeners, craftsmen and tradespeople, with an innkeeper, two beershop keepers, a schoolmistress and a few gentry. There were three main large houses: West End House, West End Hall and Lauriston Lodge.

[alongtaleoffashion]

Roofing - Tile A large, modern, three-story brick exterior home remodel with a tile roof as inspiration

[erkiengill]

Roofing - Tile A large, modern, three-story brick exterior home remodel with a tile roof as inspiration

[niamflopped]

The latest in the fake Londoners saga - letdown imbeciles are claiming that the Men's Pond on Hampstead Heath is no longer a cruising ground for gay men, and nor is Hampstead Heath itself. The level of ignorance on there is terrifying.

Gay West Heath really is, like much of the gay scene, the most mixed of bags: lawyers get it on with barrow boys, multimillionaires with the unemployed - even celebrities with other celebrities. The male only Bathing Pond Hampstead Heath is in summer the hot spot for London boys to swim and cruise around. The Male Only swimming pond (Highgate Bathing Ponds) is to be found east section of the Hampstead Heath.The closest tube and rail way station is Gospel Oak. To access the pond there is a very cruisy changing area. Left from it you will also find a separate nude sunbathing area. In the fenced enclosure nudity is de rigeur amongst the regulars - the serious swimmers, chess players, weight-lifters, readers and sunbathers for whom this is a sort of club. Out on the springboards and in the water, costumes are required.

https://www.nighttours.com/london/gayguide/hampstead-heath-ponds.html

[astonchaseuk]

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[gtremovalsuk]

Guide on How to Prepare Your House for the Arrival of House Movers

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[darkroomalleycat]

The Beatles at West Hampstead Studios photographed by Robert Whitaker

[theunderestimator-2]

Johnny Rotten in Teddy Boy quiff & attire with a studded leather dog collar around his neck as a splash of punk attitude in 1977 (since he's wearing the same clothes as in the Sex Pistols photo session by Adrian Boot at the Glitterbest offices in Oxford Str. in 1977).

According to Omega Auctions which sold this photograph for £750 in 2023, it originally belonged to Helen of Troy of the Sex Pistols entourage:

"...this photograph originally belonged to Helen Wellington-Lloyd. This was Helen Wellington-Lloyd’s favourite photograph of Johnny Rotten and was the only photograph of the Sex Pistols she had framed in her living room in her flat in West Hampstead where she lived until 1999."

(via)

[thegroovyarchives]

Genesis, West Hampstead, London, 70's. From: Genesis: I Know What I Like by Armando Gallo, 1980.

[zilabee]

Living The Beatles Legend:

After a lifetime of self-doubt over body issues and inveterate shyness, he simply couldn’t control himself. “Big Mal was a demon for sex,” Tony wrote. “[...] Like sacrificial virgins, a lot of the girls willingly accepted that they would have to do it with Mal to get to John, Paul, George, or Ringo, and Mal knew it.”

“A couple of newspaper friends put on a private show involving several prostitutes for our entertainment, one of them being very pregnant.” As Mal recalled, “It was a little unnerving to have these ladies performing before our eyes with each other in one room, with Brian, George Martin and Judy, and the rather more staid members of the press in the adjoining living room.”

“I was being entertained by a young lady late one evening,” Mal wrote, “when George rushes into the darkened room, stoned out of his mind, tearing the bedclothes off, shouting, ‘My turn next—come on, give us a bit!’” Mal gave way to the Beatle, concluding that “apart from that, I was the one that got screwed.”

By this point, [Lily] wasn’t just finding “silly groupie letters” in his suitcase, but also the occasional stray pair of knickers and other telltale signs of infidelity. She recognized that Mal was being seduced—and had been for some time—by overwhelming forces, impulses with which she could hardly begin to compete.

After her brother returned from the States, June recalled that “Malcolm came home knackered, absolutely shattered from that tour.” [...] Her brother and the Beatles were living in a “totally unreal world—an extraordinary, horrendous, wonderful, terrible place that they were all existing in during that period. And they were all damaged by it. They suddenly could have anything they wanted.”

After sharing a convivial dinner with Victoria’s father, who retired early, Mal (31yo) and Victoria (16yo) returned to the hotel and went up to the twenty-seventh floor. [..] “Mal was very sweet,” she recalled, “and we talked and we talked, and we sort of made out.” And while she was unable to meet the Beatles the next morning to do an interview, she exchanged contact information with Mal. And later that year, the letters from her new pen pal began arriving, elegantly adorned with “this beautiful British handwriting.” *

Eventually, Mal would develop a vital relationship of his own with the Scruffs, although he had his detractors—namely, Carol Bedford, a peripheral member of their scrum and a George aficionado who later claimed that Mal tried to put the moves on her. Apparently, Mal had continued to approach women in the Beatles’ universe in the same transactional manner in which he and Neil had “auditioned” willing fans during the band’s touring years. Another Apple Scruff recalled a similar instance when Mal’s attempts to cozy up to the Scruffs went terribly wrong. Apparently, he had crawled under one of the girls’ blankets and “touched something he shouldn’t have.” With that, the offended Scruff came flying out from under the blanket yelling, “Who do you think you are, Paul McCartney?” **

Since leaving the hospital, [Arwen (21yo)] had reared Little Malcolm in her cramped lodgings in West Hampstead. At some point, around the age of six months, he was put up for adoption, leaving her care lock, stock, and barrel, with Mal’s teddy bear as the baby’s only consolation. Mal’s diary would enumerate lunches and telephone calls with the young woman at various points across 1969, but eventually, Arwen chose to move on, putting the whole painful episode behind her. ***

[For his son's birthday] Mal made a cassette recording in which he offered his sincere wishes for the coming year. [...] But any goodwill Mal hoped to deliver was quickly undone that morning as Gary listened to the recording over breakfast with his mother and sister. To his incredible pain and embarrassment, the tape didn’t end with his father’s birthday greeting. Apparently, Mal had recycled the cassette, and as Gary and his sister prepared to go to school, they heard the unmistakable sounds of Fran fellating their dad. The boy’s only solace was the knowledge that his eight-year-old sister didn’t understand the sounds emanating from the tape player.

[..]for the first time, Fran found herself afraid of her boyfriend, whose darkness had never been more acute. It all came to a head one night when Mal, drunk to the gills, began threatening her with his Colt Woodsman pistol, at one point placing the gun against her head before discharging it into the washing machine. When he sobered up, Mal couldn’t have been more apologetic, swearing to mend his ways and be the boyfriend she deserved.

____________________________________

Another quote under the cut, with trigger warning for rape and attempted suicide - and a few notes about some of it.

____________________________________

June 1964 - New Zealand

At the time, the official story involved a twenty-year-old female fan who, having secreted her way into the hotel, chose to slash her wrists in Mal’s room after being unable to talk her way into the Beatles’ suite. Fortunately, police caught sight of the young woman through a window and broke down the locked door with a battering ram. She was subsequently taken to a local hospital and discharged that same day.

[There are then some bits about how Derek tried to ensure it didn't link back to the Beatles in anyway, and the way the press reported it as "Girl Tries To Die For Beatles", and someone else claiming she'd actually had sex with someone and then got 'hysterical' because she realised he wasn't going to get her in to see the Beatles... but eventually it cuts to the quote from Mal's diary below.]

“On arriving back at the hotel at two in the morning,” he wrote, “I was greeted by a crowd of police and detectives as the elevator doors opened at my floor. On verifying that I occupied a particular room number, they very solemnly escorted me there, where to my horror on opening the door, I found the bathroom and bedroom covered in blood. Apparently, what had happened [was] several people had gang-banged her in my bedroom. She was so distraught, she took a razor blade from my razor and slashed her wrists, but was discovered in time and recovered in hospital. Obviously I was a prime suspect, but I had the best alibi in the world—I was drinking tea with her mother.” ****

____________________________________

* Victoria was 16, and Mal was 31. He wrote with her for a few years and met up with her again several times, and there's a quote where she says she "thought she was in love with him", and another where she was surprised to find out he was married. He's a grown man with a family and it's creepy as fuck that he was leading on/grooming a 16 year old girl - although I think according to the book they never had sex.

** I've bolded a lot of the wording which fucks me the fuck off in that passage about apple scruffs, what a fucking weird piece of writing. Apparently apparently apparently - I don't even think he's using it to suggest it might not be true, I think he's just using it to make it sound a bit casual, oh turns out he was just treating them like shit like he used to! Oh he was just 'cozying up' ??????? The last bit also feels like the girl being able to fight her corner and tell him off is being used to suggest it therefore didn't matter - not to suggest that there were probably lots of other girls who didn't want his hands on them but didn't know how to say no. It's also quickly followed by a quote of another apple scruff saying he took care of them like a big brother and they all loved him. Which is fine. But teenage girls feeling as though the creepy guy who is being nice to them in order to take advantage is just being nice to them, doesn't mean much. It's creepy that he was trying to befriend the young vulnerable girls that idolised anyone who worked with Beatles, you've literally just said he was doing it in a 'transactional manner'.

*** The author used a pseudonym for Arwen - a young woman that Mal had an affair and a child with. He wrote in his diary when the child was born, and visited them, "gifting the boy with an oversize teddy bear from Harrods". Personally I think 'chose to move on' covers an awful lot of pain very glibly. Imagine having to give your baby away after six months, imagine what she went through. It is not a small thing that he carelessly got a young woman pregnant and then offered her nothing.

**** I think we all live in Beatles fandom knowing that the people we enjoy did awful terrible things, but sometimes it's good to confront how bad it was, even if we'll never know who was involved in this particular incident. Or how often it happened to other women. Whether Beatles were involved here or not, they were around this, they were inside it. They were influenced by and friends with horrible people. Imagine writing that in your diary like it's a good joke that you were having tea with her mum while she was going through that, and not how awful that would actually feel if you had a heart. The author adds that this incident affected Mal, saying, "His “demon” persona was still alive and well, to be sure, but there would be perceptible shifts in his outlook as the group’s touring days moved forward." I didn't really pick up on these, so I'm not sure how so.

[scotianostra]

The Scottish actor David McCallum was born on 19th September 1933.

Born as David Keith McCallum, Jr in Maryhill, Glasgow, the second of two sons of Dorothy Dorman, a cellist, and orchestral violinist David McCallum Sr. When he was three, his family moved to London for his father to play as concertmaster in the London Philharmonic Orchestra. Early in the Second World War, he was evacuated back to Scotland, where he lived with his mother at Gartocharn by Loch Lomond.

McCallum won a scholarship to University College School, a boys’ independent school in Hampstead, London, where, encouraged by his parents to prepare for a career in music, he played the oboe.In 1946 he began doing boy voices for the BBC radio repertory company. Also involved in local amateur drama, at age 17, he appeared as Oberon in an open-air production of A Midsummer Night’s Dream with the Play and Pageant Union. He left school at age 18 and was conscripted, joining the 3rd Battalion the Middlesex Regiment, which was seconded to the Royal West African Frontier Force.In March 1954 he was promoted to Lieutenant. After leaving the army he attended the Royal Academy of Dramatic Art (also in London), where Joan Collins was a classmate.

David McCallum’s acting career has spanned six decades; however, these days he is best known for his starring role on the police procedural NCIS as medical examiner as Dr. Donald “Ducky” Mallard. I first really remember McCallum for his role in another US show, The Invisible Man which ran for 13 episodes in the 70’s. McCallum by then was a veteran of many TV and Film roles, starting in the 50’s including Our Mutual Friend and The Eustace Diamonds, in the 60’s he was in several ITV Playhouse shows before moving across the Atlantic to take roles in The Outer Limits and his big break as Illya Kuryakin in several incantations of The Man from Uncle.

His most notable films were The Greatest Story Ever Told as Judas Iscariot and of course Ashley-Pitt ‘Dispersal’ in The Great Escape.

As well as the aforementioned Invisible Man in the 70’s he took time to pop back over to our shores to star in two quality series, as Flt. Lt. Simon Carter in Colditz and Alan Breck Stewart in an adaption of Robert Louis Stevenson’s, Kidnapped.

The 80’s saw him team up with the lovely Joanna Lumley in Sapphire & Steel and several guest roles in the likes of The A Team, Hart to Hart and Murder, She Wrote as well as a one off reprise of Illya in the TV movie The Return of the Man from U.N.C.L.E.: The Fifteen Years Later Affair.

The 90’s saw David in Cluedo and Trainer on our TV screens over here and American science-fiction series VR-5 in the states..

During the last 20 years or so he has been in the kids TV show, Ben 10: Omniverse as the voice of Professor Paradox and of course Donald Horatio “Ducky” Mallard in a remarkable  436 episodes of the popular NCIS.

David has been married twice. He married his first wife Jill Ireland in 1957. They met on the set of the movie Hell Drivers. Together, they had two sons and a daughter, Paul, Jason and Valentine, with Jason being the only one who was adopted. In 1963, David introduced Jill to his co-star on The Great Escape, Charles Bronson, and she left David and married Charles in 1968. In 1967,

David McCallum passed away aged 90 on September 23rd last year, he is survived by his wife of 56 years, Katherine McCallum, his sons Paul McCallum, Valentine McCallum and Peter McCallum, his daughter Sophie McCallum and his eight grandchildren. NCIS paid tribute to him in an episode called The Stories We Leave Behind when the tagents find comfort in working on one of his unfinished cases. The episode features clips from several old shows.

[wombywoo]

for your lovely ocs! 🚗🚫🐈🍎💜

thank youuuu <3

🚗 CAR — does your oc have a driver's license? can they drive/operate any automobiles/machinery besides cars?

Quinn--yes he's got his license! likes to think he can drive a tank but it's doubtful...

Vincent--yes as well. he has an extensive collection of vintage motorcycles 👌

🚫 PROHIBITED — does your oc drink/smoke? do they do it regularly, or is it more on occasion or for special events?

Quinn--smoker and drinker (british innit) he smokes way more than he should and likes to drink when he goes out

Vincent--will smoke if the mood strikes, but doesn't often. has recently been enjoying some vampire-friendly cocktails

🐈 CAT — does your oc prefer a wide circle of friends or a few close friends?

Quinn--only close friends, which are very limited. gets along with most of the people he works with, but doesn't like large groups

Vincent--I think it depends. he has his select acquaintances that he prefers over others, but he doesn't mind being social with a variety of people

🍎 RED APPLE — where was your oc born? do they still live in/around their place of birth or do they live somewhere else? how do they feel about their birthplace?

Quinn--born in Sheffield. grew up in a smaller town outside the area. he still has a flat in the city, but will live on base most of the time. he has...mixed feelings about his home city. he'll claim it's shite but there's still stuff he likes about it

Vincent--born in Hampstead London around the turn of the century. had a rather posh upbringing there. now he's got a flat on the outskirts of Oxford, but he still thinks fondly of his childhood home (now some overpriced airbnb undoubtedly..)

💜 PURPLE HEART — what is your oc's ancestry/genetic background?

Quinn--predominately English on his father's side, but his mother's side is Irish

Vincent--his father is caucasian English, and his mother was born in Jamaica, from a West African origin

[ludmilachaibemachado]

The Beggars Banquet photoshoot at Sarum Chase in West Hampstead, 1968🪴🎸🍀

Via @stonessatisfaction on Instagram🎸

[ourshadowstallerthanoursoul]

On this day... - April 1st

On this day Led Zeppelin performed:

+ 1969 : Klooks Kleek in West Hampstead, UK

+ 1971 : Paris Cinema Theatre in London, UK

This performance was part of John Peel’s In Concert show on BBC Radio One. It was released on BBC Sessions in 1997.

+ 1973 : Centre Sportif in Saint-Ouen, Paris, France

“Led Zeppelin conquered again last night. They turned an audience that resembled dumb figures at the start into a terrifying mass of hysteria. The roar of approval from ten thousand kids was enough to pump the adrenalin through a nun, let alone a rock ‘n’ roller. Solid slogging work that has now brought about total live perfection. […] Their ability to reach an impeccable high and sustain it for three hours is an astonishing feat.” – ‘Vive le Zeppelin!’ by Roy Hollingworth, Melody Maker

+ 1977 : Memorial Auditorium in Dallas, Texas, USA

“This was an event – Zep’s first show since 1975 and it was happening right here in Dallas. […] Led Zeppelin did not disappoint. The band played for three hours – way over the norm for a rock concert. And for a first show, it was amazingly professional – loose, easy going but never sloppy. […] The concert also attracted one of the most well-behaved audiences for a show of this type. These were people who came to see and hear their idols, not to cause trouble. Their calls for an encore seemed to be an honest tribute more than an excuse to set things on fire.” – ‘Led Zeppelin rises to a night of firsts’, Times

[popsicle-stick]

I don't know anything about England but I'm interested in how the characters' locations inform their characters like Seward's. I'd like to know more about the implications of being from Purfleet/Essex for example (Though iirc Stoker immigrated from Dublin well into adulthood so I don't know how well he knew all the cities.)

there's so much to be said! i really don't think that stoker meant much intentionally, but the placement of the asylum in purfleet specifically is interesting.

long post so i'm cutting this!

the asylum at purfleet, essex, is an example of the common 19th-early 20th century phenomenon of establishing psychiactric hospitals in the rural counties surrounding london - simultaneously serving as a 'tranquil' location away from the city, while also serving the dubious, cruel purpose of squirelling away would-be patients into residences away from the city - out of society, out of sight, out of mind.

in terms of jack seward himself, purfleet is a kind of an in-between, nothing place - things and people pass through, not much stays. (there's a reason why whitby is remembered as 'the dracula place', and not purfleet.) it's quite literally on the edge of london - of society - and in that scene where jack's looking despondently towards the sun setting west over london, his own isolation becomes palpable - from society and from the world as a whole. the endless, transient, liminal feel of the essex saltmarshes just....gives the vibe. this was a scene that felt particularly gothic to me - jack is the custodian of his very own haunted house, here, in all its bleak, isolated glory.

It was a shock to me to turn from the wonderful smoky beauty of a sunset over London, with its lurid lights and inky shadows and all the marvellous tints that come on foul clouds even as on foul water, and to realise all the grim sternness of my own cold stone building, with its wealth of breathing misery, and my own desolate heart to endure it all.

this is an fascinating parallel with the count's situation in transylvania, which is NOT the topic du jour here so i'll stop before i ramble but compelling nonetheless! like the count, though, he's a liminal figure - in london, but not quite in london. in the group, but not in the group. alive, but not really living. wide awake in the witching hour, unsure how to re-integrate with society.

it's also worth noting that the opening of dickens' great expectations has pip in his childhood home on the kent marshes - which would pretty much be the opposite bank of the thames from purfleet. in great expectations, pip's village serves a similar role - the quiet, bleak, nowhere-place directly placed against the bustling cosmopolis of london.

in terms of other characters and locations, i've written a bit before about jonathan (and mina possibly) hailing from exeter, devon, in the south west of england - which is much further from london.

jonathan and mina, in terms of the group dynamics, are outsiders: they're very much lower middle class, hyper-aware of the importance of money and societal etiquette as a means for survival and social betterment. this is a personal hc of mine, but i like to think of jonathan as having the long supressed remnants of a devon accent. south west accents are often the subject of a lot of ridicule and mockery in the UK (akin to a southern US accent) and hiding that regionalism, in both the 1890s and today's britain, would be a means of survival and progress for him - i think the fact that he's always given a standard home counties RP accent in adaptations cuts out a major aspect of his character. he's a devon boy!

in contrast to all this, lucy's hampstead residence shows her affluence. it, too, at risk of breaking my social isolation metaphor, was on the edge of london at the time - but was known more as a wealthy suburb with huge areas of greenery at hampstead heath and highgate. there's something to be said, though, about a place like highgate cemetery - a liminal place between the dead and the living, between city and country, haunted at night by a vampire - and the same could be said for purfleet.

arthur is hard to pin down - for the life of me i CANNOT work out where 'ring' is supposed to be - at first i thought it might be a shortening for ringwood, hampshire, which could work! but i just don't know. his character does scream privileged southern/home counties though, and if anyone has any followups on 'ring' and its wherabouts i would LOVE to know because this has been bugging me for ages. lmao

tl;dr, psychology and sociology as informed by place is SO fucking fascinating to me like it just. it affects so much. from the liminality of certain places lending themselves to the supernatural, to characters being mirrored by their surroundings and vice versa, to the social implications of where you call home. it's just!!! interesting!!